I Is Another

S.ZINE Intro

2010-03-31T01:54:00.008+08:00

Dear all :

從3/29/2010起，我將搬移I is Another至S.ZINE Team Blog。雖然這地方未來還是有可能回來散散心，但主力將全心全意放在S.ZINE。歡迎有興趣繼續閱讀的朋友們，請一起加入S.ZINE吧!!

www.s-zine.com

LoVe you ALL
xoxo
Ann

與夥伴們開始構思S.ZINE是9個月前的事了。當時只是對台灣的傳統時尚媒體非常失望，可與其被動的抱怨，還不如團結起來做些改變。S.ZINE雖不是資源最豐富的網路平台，但我可以驕傲的說，我們有ㄧ群最熱愛時尚、最願意自我挑戰的專業團隊。每ㄧ個單元從開始發想就充滿著樂趣，執行過程則是ㄧ次次全新的學習經驗。每個人的想像力，累積許久的能量，終於找到出口。感謝這段草創期間給予我們支持的品牌、藝人、朋友們。讓大家久等了！

About S.ZINE

S.ZINE是由ㄧ群熱愛時尚的專業工作者所組成。團隊背景都來自於時裝界的菁英份子, 包括造型師、服裝設計師、彩妝師、攝影師、平面設計師。2009年5月開始發想, 經過長時間的醞釀籌備, 我們決定創辦ㄧ個以時尚為主軸的網路平台, 邀請亞洲各城市的時尚工作者, 與我們共同實驗創新。

S. is not just about fashion.

S. is for Sacred、Sadness、Salute、Salvation、Sanctuary、Sanguine、Satire、Satisfaction、Saturated、Saucy、Savor、Scandal、Scar、Search、Seduction、Selective、Sensibility、 Sensuality、Separation、Sexual、Shape、Share、Silver、Siren 、Sky、Smile、Song、Sorrow、Soulful、Space、Sparkle、Special 、Speed、Spellbound、Spiritual、Splash、Splendid、Stage、Star、Style、Superior、 Supernatural、Surrender、Survivor、Suspense、Sweet、Swing、Symbolic、Sympathy、 Synchronize

S. is what a dream is made of.

JUUN.J 2010/11 A/W Collection

2010-02-28T22:36:00.006+08:00

photos via WWD

runway video here

韓國設計師Jung Wook Jun的品牌~JUUN.J；今年秋冬展出的系列，精彩帥氣到讓我都想改穿男裝了。

When I Look At You, I See Myself

2010-02-28T21:32:00.005+08:00

photos via various sources

Vintage Vogue Cover Art

2010-02-28T18:37:00.002+08:00

July 1919

April 1918

November 1917

Condé Nast的網站有著豐富的Vintage雜誌封面藏圖，年代從1920~1950完整其全。每次看都覺得以前的美國Vogue比現在的封面大膽得多，讓許多藝術家把封面當畫布創作，而不是像近年總是貼張明星臉票就了事。

Hedi Slimane Interview

2010-02-28T13:47:00.012+08:00

三年來首次接受專訪，以下轉貼部份內容來自~
The Future Of Fashion, Part Three: Hedi Slimane
Interview & Photo by Style File
Written by Dirk Standen

How do you think technology-tweeting, blogging, social media, ect.- has affected fashion? For better or worse?

It has affected different aspects of fashion tremendously. From commentary to fashion design, communication, and distribution.

The fashion Internet community is like a global digital agora tweeting passions and opinions. Anyone knows better, and each one is a self-made critic.

This is a fascinating idea, as I always favored amateurism (”the one that loves”) over professionalism, attraction over experience. It obliges anyone in the industry to think in a fresher way.

Of course, it is hard to say if any “authority,” someone like Suzy Menkes, might one day come out and use digital means to lead with integrity, enough background, outside of any conflict of interest.

On a design perspective, it has allowed any young designer or indie brand to get an instant audience, if used with wit and invention.

I am not quite sure of the future of retail as we know it. This is a truly important thing, maybe the most important one, as it might already mean there is nothing standing between the design and an audience/consumer.

Finally, the better and the worse have always been part of fashion, with the Internet only magnifying it and creating a joyful and noisy digital chaos.

The bottom line is that any note can create music. It is only a matter of taste.

Can you envision a day when digital media will replace magazines?

I totally do, and I don’t see it as a bad thing. You don’t fight but embrace a natural evolution, really, and try to figure out how it would reveal new creative fields within global access, and multimedia features.

The Web site magazine will come way before the print version in the next decade. I don’t see any way around it, really. With the rise of the Internet, fashion did become part of the global entertainment industry in the last ten years, and will follow the digital evolution of the music or film industry.

Besides, immediacy is better than old news. The “manufacturing” process of a magazine is far too long for this world, for the definition and idea that fashion is about “right now.” I guess it is more about “right now” now than ever before.

That said, fashion magazines, glossy magazines still use their Web sites for daily news and information only. I trust it might be interesting to invest strongly in art direction, besides hiring top editors, top photographers, and top models, which is hardly enough for Internet pages.

Quite certainly, the Web sites of the magazines will have to move away from the “blog” format and create an inspiring, tight template for their photo productions or editorial content, a Web site that has the [same feeling of] luxury and glamour as flipping through a heavy glossy magazine.

It is interesting to think how someone like Alexey Brodovitch would have investigated this medium to create typography and layouts in motion. It is now an open field for a new generation of editors in chief and art directors.

I hear one of the reasons for the lack of investment is advertising, although I trust advertising would follow immediately, if provided a reassuring image template for their costly ads.

I finally believe the printed magazine will then become a collector’s item, and hopefully a reference to be kept preciously.

Therefore, the commercial issues of advertising credits might move toward the Internet, [while] the most inspiring fashion stories could become exclusive to the printed collectible version.

Are you excited about some of the new digital developments—the iPad, better implementation of video, etc.? Do you think they will influence your work?

The iPad needs to catch up with Flash before I put a hand on it. This is really strange; I guess it is still in progress. Of course, this is only showing how many endless options are left wide open for Web sites, and how it will change the entire industry. It is totally exciting. On a different note, I still think video is a specific tool and does not replace stills. It is yet another interesting image-maker.

What are the creative rewards of photography? How do they differ from the rewards of fashion design?

Immediacy, independence certainly matter. I don’t need to be stuck with my flannels in a studio; my team is not permanent, so that I don’t have to deal with too many headaches and get distracted. But that said, I do love flannel, so I photograph it. This is why I organically went from fashion design to fashion photography, ending up using the Internet to pursue my ideas for fashion. It is like switching to a different language—not that it affects anything I have to say.

Between menswear and womenswear, resort, pre-fall, and ready-to-wear, some designers are designing eight or more collections a year. Is it possible for a designer to be creative under those circumstances?

Designers end up needing a full-blast studio for this sort of thing, which is totally absurd. I also don’t understand what the hell people do with all those clothes. Less would be better, and shorter collections. Again, e-commerce might change this costly and overwhelming fashion avalanche.

The silhouette you proposed for men at Dior Homme is in many ways still the dominant silhouette today. Are you surprised by how long it has lasted? Do you see it changing?

I started to work on my silhouette since the end of my Saint Laurent years, when I had the option to pursue my own style. I also started it because it was the only thing that would fit me, to be totally honest.

I became very repetitive with it over the years, as I was trying to define it accurately.

I always thought it was all about repetition, and I became extremely stubborn despite my opponents and the natural aim of the fashion industry to look for something new each season. I never wanted to please, as long as I could follow my beliefs. I always and only thought about my own time and the birth of an entire generation.

I heard so much about my proportions, and how absurd and unsuccessful, for instance, my skinny jeans and silhouette would be. I also heard about my lack of definition in masculinity, as I was aiming to try another definition. I also was questioned about my attraction to music, as I still believe there is no fashion without music. Marie Antoinette knew better when she fetched Gluck to Versailles, to try her new wardrobe on the dance floor. Nothing will ever change. Fashion = music + youth + sex. This is what my menswear and my style were always about.

Besides the proportions, it was about an allure, a certain movement.

I always believed the way men or women wear clothes (le porté, in French) defines fashion, and funnily enough, through history, furniture design.

So that it was never a “fashion comment,” as I was interacting directly, and still do on my own, with unknown musicians, artists, street casting for my shows. It was not about doing punk rock or metal when punk rock or metal had no relevance to the moment. My fashion and my style were like a random and sometimes intimate diary. Living in Berlin, I interacted with the music scene at a time when Berlin was aiming to set up an abstract and ethereal digital tone; my years in London happened to be the time when a new indie scene emerged among my friends. There were no clothes available around, so I designed them for the rest of us. These are the clothes we wanted to wear, and these are the clothes, allure, and style that ended up my own.

The rest might by now be common knowledge. With Berlin becoming suddenly popular and the global indie scene explosion a few years after, my style spread accordingly.

Funnily enough, when I decided to put design on hold for a minute, it was all about how skinny was dead and how men would suddenly flip in the other direction. It ended up the contrary.

I just finished a report on this emerging movement I ended up being connected to called Jerking. It was born in Long Beach, Los Angeles, in late 2008 among black teenagers in high school. They call it the Skinny Jeans Movement and have songs like “I ROCK SKINNY.” They developed this creative community through social sites and found their style on the Net. The skinny look came first among them, then the music, inventing a broken-beat dance. As always, the music majors just spotted them and signed them one after the other. It is a really refreshing and joyful rap collateral movement. The project I did on jerking, jerk crews, and musicians will be online in a few days I guess, and Vogue Hommes Japan will publish some of it this month, as an introduction I guess. This movement is only starting, really, and it might spread over the global high school, with an avatar of my style in the broadband.

Now, from the streets to fashion week: I still have loyal assistants at Dior. I guess my shows had a specific atmosphere. Despite the necessary press rhetoric, the silhouette is still there, but more so my style and semiotic, used as an open-source commodity. It is quite convenient for me, as I don’t have to be in the kitchen anymore.

So, to answer your question, surprised I might have been, but is it going to change anytime soon? Time will tell.

What excites you about the future, personally or in terms of fashion in general?

Everything, really. It is a fantastic time—difficult, of course, to some degree for many, because it is truly a revolution, led by the Internet, a digital revolution. Distribution and communication are in an ongoing fast-forward mutation. There is also a generation gap, which creates an acceleration of the treadmill for some. Not everyone is accustomed to this Internet world, which is understandable. It is just a different landscape, and as much as one might pretend to keep up, it is a tough one to follow: the freeway toward the musical chairs.

I trust fashion will invent new models, shortcuts, somewhere in between luxury (analog) and fast retail (digital).

In front of a beyond-informed audience and new generations being born with a wireless processor instead of a brain, it will be about having clear commitments and keeping an original voice no matter the scope and scale of fashion developments.

Rogue

2010-02-28T10:09:00.007+08:00

photos via various sources

Super Show 2 Taipei

2010-02-28T02:30:00.018+08:00

去年在金曲獎工作，目賭整個小巨蛋被攻佔的誇張場面，是我第一次聽到Super Junior的名字。幾個月前在亞太影展，第二次在後台看到Super Junior(M) ，仍覺得他們是外表完美到像假人的團體罷了。直到看了這短片後，他們顛覆形象、佻侃自己的表演讓我徹底改觀！

偶像團體只能是包裝精美的空殼嗎? 親眼觀看完Super Show II 之後，我不再這麼想。

這場演唱會以電影規格企劃拍攝的幾組背景影片，把形象塑造這件事做到了極致。團員造型配合不同拍攝風格與場景；武打的、科幻的、卡通的、學院的、都會的，幾乎沒有什麼類型沒被拿出來玩。無論是歌聲、舞蹈、才藝(尤其是這小子)，或是娛樂搞笑，三小時的表演絕無冷場！當一首首字正腔圓的中文歌拋出來時，我已無法不佩服韓國人行銷流行文化的專業能力與企圖心。

據說韓國的流行音樂組合團體平均走紅時間不超過五年，就會被新鮮人所取代。不知這群男孩五年後會有著什麼樣的未來？希望，他們夠幸運，能長久齊聚在同一個舞臺上發光。

The Runaways

2010-02-27T19:25:00.005+08:00

All about The Runaways

Director Floria Sigismondi Interview

Costume Designer Carol Beadle Interview

Julia Frakes

2010-02-23T17:40:00.011+08:00

photos via the cobra snake、refinery29、jak & jil

19歲的Julia Frakes是Paper Magazine的編輯之一。時裝週中她復古感的圖案色彩搭配在黑壓壓的power look當中, 顯得有趣、脫俗, 我記憶中紐約女孩自成一格的灑脫形象就是這樣的～

Julia's blog & tumblr:
bunny BISOUS
yes!a bunny stream of conch

Simplicity

2010-02-22T02:08:00.002+08:00

Fashion 156

Chaos Magazine 2009/2010 Winter

Love to see men in sheer layers or scuptural drape. In cashmere-silk veil, luxurioius wool-crepe and finest cotton jersey. Such form of simplicity can be extremely poetic.

Vintage Lace Inspiration

2010-02-21T00:47:00.005+08:00

photos via various sources

Sand

2010-02-21T00:39:00.002+08:00

photos via various sources

Fashion Stylist: Panos Yiapanis Part I

2010-02-21T00:15:00.013+08:00

Panos Yiapanis Back Stage

i-D Photo by Corrine Day

V Magazine 2003

Alison Mosshart for Interview Magazine 2009

Courtney Love & Yiapanis

In Givenchy (Jak&Jil)

With Leonor Scherrer (Jak&Jil)

Ponystep在09年7月刊出造型師Panos Yiapanis的訪談，在此轉貼部份精華。全文《The Man in Black》 by Dean Mayo Davis非常值得一讀！

Obviously as my career progressed and evolved I found myself searching for external sources of inspiration, outside my personal experiences and to this day that probably has been the hardest challenge. Finding that ability to develop and expand your vocabulary without drastically changing your aesthetic.

My friendship with Corinne(Day) provided me both with the impulse and impetus to become a stylist. But it was the dialogue we shared and the way we fed off one another’s thoughts and ideas that really impacted my method of self-expression. We had the luxury of spending 6 months doing an editorial, talking all week about one picture and spending a whole day shooting it. We always shot the same people over and over and with a few exceptions they were our friends. This approach is a luxury that is no longer viable, but the core desire of nurturing a bond of loyalty, consistency and friendship with the people you work with is so valuable in an industry that is so driven by change and the pursuit of novelty.

I find that I’m questioning the motive and more so, the desire that drives someone to create an image. Whereas before I felt it was in search of a beautiful exciting visual I now find myself fearing that financial gain has completely taken over. I do not underestimate the huge billion dollar machine that we all are immersed in but disagree with the climate that we have created. The most prosperous periods of any business or industry are when they are at their most creative and willing to take risks. I feel it’s become a machine churning out blandness and banality and we have all just become lazy giving the least we can get away with.

Riccardo, along with Helmut and Raf, was one of the first designers to send me a thank you note after seeing an editorial featuring his clothes. It’s difficult, now, to express how encouraging that is. This job is so hard, especially when you’re first starting out and constantly being reminded of how low you rank on the hierarchical system, that many times I would ask myself why I was even bothering. You’re over-worked, broke and strained, trying hard to build a name for yourself in an environment that isn’t very supportive and to have someone acknowledge your work with such gestures of kindness and gratitude are really precious. Even before our collaboration he always maintained a very supportive and encouraging influence.

更多Panos Yiapanis的作品在此~

Fashion Stylist: Panos Yiapanis Part II

2010-02-20T22:36:00.007+08:00

sources via tfs & fashion gone rogue

今天看到AnOther Magazine 春夏新刊單元中的一件卯釘長褲讓我愣住了，仔細看credit註明是造型師自製就讓我更加好奇。 Panos Yiapanis是Givenchy、Rick Owens、Chanel、Helmut Lang等品牌長期合作的造型顧問。常在各街拍網站上看到他，卻不知其名。查看時驚喜發現，近期最愛的許多covers和editorials原來都是他的作品！

Valentino 2010S/S Campaign

2010-02-20T12:55:00.018+08:00

Mert Alas & Marcus Piggott 這一季為 Valentino 打造的品牌形象實在非常大膽; Dree Hemingway與Cole Mohr的演繹讓這老牌瞬間變得年輕誘人。 It's definitely my favorite campaign of the season！

Alexander McQueen

2010-02-18T16:33:00.045+08:00

Photo by Nick Knight (Numero2004)

Alexander McQueen, CBE (16 March 1969 – 11 February 2010)

我記憶最深刻的McQueen collection, 是2004年春夏系列《They Shoot Horses, Don't They? 》取材自1969年由小說改編成的同名電影。敘述美國30年代經濟大蕭條時期，一場八百多小時不停歇的舞蹈競賽中，所發生的人性鬥爭與謀殺故事。這殘酷的爭奪賽場，寫實反應了當時社會小人物的生存悲哀，與無法從現實滾輪中逃脫的宿命。

McQueen和編舞家Michael Clark合作，把電影中的舞蹈場景，重新改造再現。特別訓練過的模特兒、舞者們當日的演出，把原電影與時尚同時昇華至更高的藝術境界。從開始優雅愉悅, 到最後身心疲狽；鑲滿寶石的華麗禮服、層疊的拼布薄紗，衣服隨著肢體動作，奔跑翻轉、拉扯爬跪！當時那場秀所引發的情感衝擊是“前所未見”的，雖然，這形容詞似乎可用在他的每一場秀上。

這幾天看了不下數十篇McQueen的回顧報導與作品影像，事實証明，沒有什麼是他沒創作過的！就好像他已把想說的話都說完後，選擇靜靜的離開這個世界。“Beauty can come from the most strangest of places even the most disgusting places.” 感謝McQueen作品曾帶給我的震撼與驚奇，我會懷念著他，很久很久~~

Icy Blue

2010-02-18T14:50:00.025+08:00

photos via various sources

Rodarte 2010A/W Collection

2010-02-18T13:38:00.015+08:00

觀看Rodarte 2010AW Collection完整影片與訪談~請前往SHOWstudio.com

這場秀讓我最動心的倒不是服裝的設計細節。也不是觀秀前排端坐著閃閃發光的Natalie Portman、Kristen Dunst、Kim Gordon。而是Mulleavy姐妹善用視覺與音效, 讓觀者在那短短的幾十分鐘是完全被包圍在Rodarte的世界裡。

從緩緩點燃蠟燭山的開場儀式, 到隨著50's配樂似夢遊般行走的蒼白女孩, 以及最終全場在螢光燈反射下, 泛著一片鬼魅藍光的驚喜! 我還因此重新愛上的這幾首老歌~

Link Wray / "Rumble"

The Fleetwoods / "Come Softly To Me"

Santo & Johnny / "Sleep Walk"

The Flamingos / "I Only Have Eyes For You"

White Shirt

2010-02-17T23:10:00.024+08:00

photos via various sources

白襯衫看似平凡, 但當不同的人以各自的方式搭配它時, 它又是最千變萬化的。沒什麼能比雪白色的襯衫更難製作; 材質、版型、領與袖的細節會毫不留情的顯示出其真實價值。是制服還是義大利工廠的作品; 完全騙不了人。

白襯衫還會透露穿著者的性格特徵。懶惰的; 通常都沒耐性燙平領角肩線。故意皺的; 說好聽點是喜歡自由不拘束。穿男友白襯衫的女孩; 對自己有高度自信。我不會輕易去招惹, 天天穿著襯衫潔白平整到會反光的人。而不洗白襯衫的.....請離我遠一點嘍, 謝謝。

Marianne Faithfull

2010-02-17T22:18:00.013+08:00

Marc Jacobs 2010AW讓我想起, 關於Marianne Faithfull....

Marc Jacobs 2010A/W Collection

2010-02-17T20:24:00.032+08:00

可能是音樂, 也可能是熟悉的線條, 對我而言, Marc Jacobs 2010AW 是整個紐約時裝週中最溫馨的一場秀。

這次他把歷年來最精華的設計重新詮釋; 那些色彩輕柔如棉花糖般的雪紡與絲絨, 和猶如從《Annie Hall》或《The Virgin Suicides》中走出來的女孩。我愛極了那零亂髮型、淡薄妝容與茶色眼鏡; 這場秀的造型幾乎和設計同等重要。尤其是穿著60's樣式外套的模特兒, 我彷彿再次看見年輕時的Marianne Faithful, 當然, 現在的布料與剪裁比那年代還要精緻得多!

在這時尚產業不斷瘋狂加速往前衝的時代, 懷舊心情幾乎是奢侈的行為。可喜的是, 最近有一股回歸思潮。從Dolce & Gabbana 2010SS, 到LOVE最近推出的Prada回顧短片The Love Thing; 這些品牌在時尚潮流的演變中一直屹立不搖, 或許是因為, 他們從來沒有忘記自己的原點吧!

2009回顧(5) Fashion in Motion

2009-12-31T15:08:00.032+08:00

電影與服裝, 自好萊塢黑白默片時代以來, 就有著相互依存的關係。不但服裝設計師常從電影中找尋靈感; 有時後影迷們牢記某個電影情節是因為主角造型所加深的畫面印象。漸漸的, MV中服裝也記錄著音樂的演變。近年隨著SHOWstudio 、16x9、ASVOFF等不遺餘力的推動, 時裝終於從配角躍升為主導, Fashion Films在2009年進入百花齊放的時代!!

今年有太多精彩的影片, 從獨立設計師的服裝發表作, 到各大品牌香水廣告等, 自製短片幾乎是時尚圈的全民運動。雖然現在的Fashion Films還在玩影像視覺的階段, 大多數並沒有編劇或演技等構成一部電影所必需的重要條件。不過, 這也讓它的未來更值得被興奮期待不是嗎?!

2009回顧(6) The Fashionisto

2009-12-31T15:00:00.032+08:00

不得不承認, 2009年是男裝史上最多彩多姿的一年! 我已無法想像沒有Ash 、Cole 、Josh、 Luke 之前的男裝週是何等情景。這些男孩的出現, 為男裝增添更有活力的多元樣貌。 Fashion bloggers、magazine editorials等推波助瀾之下; 彩妝、花俏配飾都不再是女裝專利, 甚至運用在男裝造型上更有新意。

Dazed & Confused的Transformer Issue標題下的精準~~" Meet fashion's boys who are gilrs who like girls to be boys...." 女孩們若再怠惰不加把勁的話, 很容易就會遜色被比下去嘍!!

2009回顧(7) Redesign

2009-12-31T14:52:00.034+08:00

幫侯佩岑改造的洋裝

大概是在今年3月初, 我開使幫一些熟識的客人做衣物改造的"秘密服務"。因是實驗階段, 想測試需求及成效, 並未大肆宣揚。要讓我重新設計改造條件有二:

1. 布料差的或廉價服裝不收: 因為沒必要再多花費去處理沒救的東西。

2. 只為胖瘦想修改長短大小不收: 因為那一般市面上的修改師就能解決。

因服裝本身結構的限制, 重新設計修改非常有挑戰性。80年代的Montana寬大西裝搖身一變成今年俐落的聳肩外套, Burberry英國毛呢老爺褲被改成合腿垮褲。就連上圖原本方直的垂袖長洋裝, 線條重修加釘鑽之後, 搭配超長統皮靴就成了Famme Fatal。

經過幾次改造滿意的客人, 開使呼朋引伴, 整理起衣櫃把衣物送來整型。這項服務幫她們解決一重要問題: 從此不用再煩惱舊衣物是該留還是該送。她們開始享受改造服裝與當季服飾混搭的樂趣, 既不浪費又能有"穿新衣"的驚喜。

在全球環保議題不斷被探討的當下, 我想我找到了自己的方法。並不是穿樹葉或回收紙才叫環保。學習如何再創造、改進我們已擁有的東西, 讓它發揮其最大的價值也是珍惜資源的表現。人是持續成長改變的, 如果一件衣服也能跟著我們不同階段的需求而改變呢?

2009回顧(8) Mystery Ladies

2009-12-29T19:33:00.038+08:00

Leonor Scherrer

Dita Von Teese

Catherine Baba

Anna Dello Russo

2009年讓我印象最深刻的街頭影像並非完美的模特兒們, 而是這些有著獨特風格魅力的成熟女人。青春亮麗的女孩搶眼是理所當然, 可當一個充滿自信的女人在街頭吸引你所有注意力時, 那就真是藝術了。

當多數上了年紀的女人早已放棄（或沒有勇氣）妝扮自己時。這些女人不同; 她們沒有讓歲月與生活奪走享受時尚的樂趣。如果說衣著能反映出個人的生活方式, 那她們的身上就佈滿了讓我想像力一發不可收拾的線索: 我會好奇的想要知道, 她頸上的古董項鍊是第幾任情人送的禮物? 或穿著YSL的優雅女人發起脾氣來會有什麼舉動? 在晚餐桌上她聊到什麼故事讓賓客對她的經歷更加著迷....

2009回顧(9) K-POP

2009-12-29T15:38:00.033+08:00

為台灣藝人作造型的時候, 注重的焦點往往不是設計美學, 而是經紀公司的成見、預算的限制等因素, 東一句西一句下來, 最終呈現的風貌經常走味變調。更幸運的還會遇上妝髮"大師"們為整個造型雪上加霜, 歌手抱怨穿高根鞋無法跳舞, 或MV導演天外飛來干預一筆。就竟誰是造型師？答案已不可考。

雖然在紐約求學時有許多韓國好友, 但我對韓國的流行與時尚文化瞭解並不多。只知道Prada Transformer選擇在韓國首爾展出, 三星與Parsons合作設計學院SADI, 以及從品牌公關友人那得知韓國電視劇與各服裝品牌的密切合作關係。可看完2009年的Melon Music Awards與Mnet Asian Music Awards後, 我訝異發現, 韓演藝/音樂圈早已是多麼熟練的, 從上到下, 從內到外的全力合作主打包裝戰。

舉Brown Eyed Girls的例子, 這四個女孩原本是以實力唱將派出道, 但剛開始幾年發展緩慢。直到今年改頭換面, 以Abracadabra一飛衝天。她們大方的談論團員們的整型經歷（我不知道還有什麼能比這更能展現表演者的決心）, 和曲風轉型的過程。 BEG的表演每一場服裝道具(包含電視演出)都是整個系列換布重做, 妝髮造型也都整體訂製。韓國有許許多多的團體組合都是這樣重金包裝, 甚至連新人如2NE1都是不惜成本的隆重推出。因為競爭激烈, 各個團體都使出渾身解數力求突圍!

要成為舞台上萬眾矚目的焦點是有代價的。 Madonna、Lady Gaga...都是擅於此道的引領者。現在韓國的藝人更是把時尚與音樂、戲劇整合行銷發揮到極致。反觀我們的演藝圈與流行音樂文化呢？

2009回顧(10) Shoelust

2009-12-29T14:54:00.040+08:00

今年帶給我最多啟發的Blog, 絕對是Jak & Jil! 攝影師Tommy Ton熱愛細節; 從配色到造型, 他的眼光與選擇比許多時尚專家還要敏銳。在服裝愈來愈大同小異的年代, 鞋子角色反而更加重要, 運用得當則能為整個造型定調! 我衷情於這些"強勢"的設計細節, 卯丁、繩環、金屬與皮革, 這些元素雖非新聞, 卻在2009年被廣泛運用且淋漓盡致。

"人要向前, 第一個要動作的部位就是腳; 穿上好看合適的鞋, 就能往前踏向更精彩的旅程。" 我想, 就算是神保美姬, 也一定會愛上Jak & Jil吧!

年終

2009-12-07T21:21:00.008+08:00

Andressa Fontana by Josh Ollins

自從五月開使用了Facebook之後, 這blog就開始長蜘蛛網了。我喜歡即時快速的與好友分享新事物, 所以在fb直接丟links是最不囉唆的方法。

接近年尾, 有很多感想與心得需要紓發。一整年經歷中我有找到心滿意足答案的時刻, 也有更多新問題在未來仍要持續探索。決定將以十篇文章作為2009年的總整理以示對自己負責(心虛)。 2010年I Is Another要搬到新家s.zine, 更多新鮮事將會在s.zine與各位分享, 敬請期待!!

Burton's Wonderland

2009-07-24T10:41:00.005+08:00

Colleen Atwood 是Alice in Wonderland的劇服設計師, 她的作品包括Tim Burton 的 Edward Scissorhands 與Sleepy Hollow; 還得過兩座奧斯卡最佳劇服設計獎(Chicago和Memoirs of a Geisha)!!

Tim Burton在一段訪談中說到Johnny Depp創造Mad Hatter角色前, 花了許多心思在造型選擇上"He's the type of actor that a lot of the character comes from the look of the outfit," he said. "It helps him really create and get into who the character is." 完整訪談在此~~

Vivienne Westwood@Janathan Ross 07/12/09

2009-07-15T10:34:00.013+08:00

從不看電視的Vivienne Westwood為何自己要求上Jahathan Ross的電視訪談呢? 原來是為了讓更多的人了解全球暖化的議題。近年來看到Westwood從聲援人權運動、抨擊反恐法、發表反對Propaganda的宣言等等，高齡並沒有影響她的熱情與行動力。在這最新的訪談之中，她呼籲人們減少無謂的消費。從服裝到文化與生活，應要重新審思、建立新的價值觀。她說：

Buy less, and choose well. Don't buy things for the sake of it, 'cause everyone will just look alike.

Human race, is it going to survive? I mean, we should get passionate about that.

Understand the world you are living. But you need to go deep, if your don't have depth, you don't understand the world you are living.

當然，她看起來美極了!!

Men's Fashion Week: Ash Stymest

2009-07-08T18:26:00.038+08:00

好久沒更新，先來些風花雪月的好了，緩和一下我最近思考過度的嚴肅腦袋!!

2010米蘭與巴黎的男裝週剛剛落幕，感謝有TFS，幕後記錄比前台有趣的多。花招百出的耍寶冠軍就是Ash, 台上台下判若兩人....看出他都在忙些什麼了吧。

Rock 'n' Roll Circus 1968

2009-06-20T23:28:00.010+08:00

Pleased to meet you
Hope you guessed my name
But whats confusing you
Is just the nature of my game

Just as every cop is a criminal
And all the sinners saints
As heads is tails
Just call me Lucifer
'Cause I'm in need of some restraint

So if you meet me
Have some courtesy
Have some sympathy, and some taste
Use all your well-learned politesse
Or I'll lay your soul to waste

Your Name Is My Favorite Scent

2009-06-14T23:10:00.043+08:00

好好調查了一下最近讓我著迷成癮的香水成份。

牡丹/peony、荔枝/lychee、小蒼蘭 /freesia、玫瑰/rose、玉蘭花/magnolia、玲蘭/lily of the valley、琥珀 /amber 、雪松/cedarwood。雖然瓶身上刻印的命名源自希臘神話，可瓶內淡金色的花果調合卻流溢著東方氣息~~

該品牌當初拍攝的形象廣告有夠通俗(那比較像是美髮產品廣告)，讓我心生莫名抗拒。而現在，沒它不行呵!!

Blonde Ambition

2009-06-10T13:03:00.015+08:00

Debbi Harry & Taylor Momsen

有關於70年代, 美國少女搖滾團體The Runaways傳記電影正式開拍中, Kristen Stewart飾演Joan Jett, 而Dakota Fanning扮演Cherie Currie。其實, 我幻想的Cherie人選是Taylor Momsen。這16歲的GG小妞愈來愈有鮮明的個人特色, 或許她新組的Pretty Reckless尚嫌生澀, 但可千萬別小看獅子座的女生, 她們天生有著渴望突變的野心。 Just wait and see....

The Gossip

2009-06-07T20:29:00.013+08:00

Beth Ditto在去年為SHOWstudio拍攝的Feminist短片, 讓我幾乎覺得, 沒人比她更適合那件McQueen的羽毛彩衣。今年她更是出現在各大服裝秀與時尚雜誌封面。造型與身型臉蛋沒有絕對的利弊關係, 重點是敢於嘗試與表態。也難怪各家設計師搶著為她製裝, 小心點呵鉛筆人～ Here comes Heavy Cross!!

Woody on Bergman

2009-06-06T02:45:00.013+08:00

Part I & Part II

To me, philosophical question, the existential questions, the religious questions were more interesting to me personally. I've been influenced specifically by him. Just as one writer influenced by another writer.

He explores these questions and dramatizes some the best thinkers on the subject and does it with enormous theatricality.

You don't come away depressed, you come away with exhilarated feelings, because you're in the presence of great art.

The way it was shot.... was hypnotic. The choice of color, and the choice to do the subject matter poetically. He is really a poet.

Round and Around

2009-06-05T18:57:00.016+08:00

看完Serge Gainsbourg在1967年為Anna Karina創作的電視音樂劇《ANNA》後，讓我更加朝思暮想。四月在巴黎沒買Sonia Rykiel的圓型珍珠鑲嵌黑框墨鏡實為重大失策!!

Hitchcock Interview 1964 (BBC)

2009-06-05T14:02:00.007+08:00

Part I

Part II

Because after all they were frighten as children.......It's all based on Red Riding Hood. Nothing has changed since Red Riding Hood. So what they're frighten of today are exactly the same thing they're frighten of yesterday.

The assembly of pieces of film to create fright, is the central part of my job. Just as much as a painter putting certain colors together to create evil on canvas.

I believe in putting the horror in the mind of the audience, and not necessarily on the screen.

Q: What is a good cry as opposed to bad cry.
A: I think it's the satisfaction of temporary pain.

What is reality? I don't think many people want reality. I think it must look real. But it never must be. Because reality is none of us can really stand at anytime.

Maggie Cheung

2009-05-31T08:59:00.005+08:00

Louis Garrel

2009-05-30T22:38:00.052+08:00

昨夜兜了兩瓶紅酒去M家看戲；是早想看卻不斷錯過的La Belle Personne 和 Ma Mère。

Louis Garrel這6年來的作品挑戰了各式情慾類型的可能。對象之多變從妹妹、母親、男孩、女演員到高中學生；似乎沒有任何表演禁忌，而他年僅26歲!! Louis Garrel常在訪談中表達出對電影學識和歷史超齡透澈的觀點，這和他出身自電影世家有著絕對的關係。

不難理解導演Christophe Honoré何以連續三部影片都以他為主角，可惜與他同戲的女演員很容易淡化為陪襯，因為鏡頭裡的光源點總是主動圍繞在Garrel身上。所幸新生代女星Léa Seydoux終於改變了這"不平等"表像；她把La Belle Personne中，Junie謎樣的隱藏與漠然，詮釋的極其自然，成功抗衡Nemours(Garrel)的風流倜儻。

五段影片由上至下為：La Belle Personne(2008)/Actrices(2007)/Les Chansons d'amour(2007)

血色

2009-05-27T21:50:00.038+08:00

近來不只是電影，連音樂都要賣血來刺激銷售。 La Roux《 In For the Kill》歌詞還不夠狠，The Kills乾脆在《Black Ballon》灑起血漿。最最最高明的還是YYY;《Heads Will Roll》的服裝、燈光、場景道具、特效設計全像舞台劇般精心編排，還不忘向Michael Jackson的Thriller致敬。 It's bloody brilliant!!!

Cannes

2009-05-21T15:09:00.036+08:00

Angelina Jolie是尊移動雕像

雌雄莫辨的Tilda Swinton

從50年代老電影中走出來的Dita Von Teese

本週的閒暇樂趣就是密切追蹤坎城影展動向。可惜台灣的媒體只關心明星戴的珠寶標價有幾個零, 幾乎看不到任何有關參展影片的介紹與報導。

感謝天, 除了Cannes官網應有盡有以外, more here~~

indie WIRE ：每日更新簡短的影片報導與評論

CANAL＋：導演、明星訪談現場直播

daylife : 精彩紅毯照片

Nine

2009-05-10T22:05:00.019+08:00

My heart is screaming!!!! 9 must see reasons?!

1. 閃****到讓我睜不開眼的女明星集團

2. I am a sucker for musicals!

3. To witness Nicole and Penélope sharing the same stage for once...instead of the same ex.

4. Anthony Minghella生前最後的編劇作品.

5. I'll be my annual costumes investigation fun.

6. Marion Cotillard looks unbelievable in the trailer; her expression tansports me through time.

7. The resurrection of Fellini sounds dreamy~

8. Waiting for Kate Hudson and Fergie to prove me wrong:)

9. Hoping for a breakthrough after Chicago and Memoirs of a Geisha!!

Kristen Stewart

2009-05-10T17:45:00.020+08:00

Natalie Portman

2009-05-10T17:11:00.016+08:00

Kirsten Dunst

2009-05-10T16:39:00.005+08:00

Nicole Kidman

2009-05-10T16:20:00.011+08:00

Christina Ricci

2009-05-10T15:43:00.018+08:00

Drew Barrymore

2009-05-10T15:23:00.011+08:00

Tilda Swinton

2009-05-06T18:22:00.018+08:00

Coffee and Cigarettes

2009-05-06T17:51:00.010+08:00

Jim Jarmusch在2003年完成的影片。 11段短篇串連在一起,演員名單包括Cate Blanchett、還有Jack & Meg White等等。這段"Somewhere in California"由Iggy Pop與Tom Waits扮演他們自己; 王見王既有趣又尷尬!! 喝咖啡為什麼要乾杯呀? 哈哈哈～

Chanel No.5

2009-05-06T09:16:00.012+08:00

官網Official Site

導演Jean-Pierre Jeunet

配樂Billy Holiday's " I'm A Fool To Want You"

Colette & Dali

2009-05-01T20:22:00.040+08:00

年少時看的第一部Period Film是Stephen Frears的Dangerous Liaisons。迷上劇中John Malkovich所扮演的聲名狼藉貴族，與目不暇己的古典華服秀。從此，我對宮庭戲碼產生極大興趣。導演Stephen Frears這次再度與Michelle Pfeiffer合作，把Colette的名著Chéri 搬上大螢幕；我樂見所愛的作者、原著、導演、編劇，還有Belle Epoque時期的服裝造型齊聚一堂!!

Little Ashes的背景是20年代，關於年輕的Dali與詩人Federico Garcia Lorca的創作影響與情史。我曾閱讀過許多不同版本的Dali傳記，很好奇影片將如何重現超現實主義誕生的源起。巧的是，接連還有兩部Dali電影即將推出；Simon West的Dali、和Andrew Niccol的Dali & I:The Surreal Story!! 那麼熱鬧，將來若有達利電影節，我不會太訝異。

仔細想想，以文學作家、藝術家為主題的傳記影片為數不少，我特別喜歡以下幾部：

-Henry & June (1990)

-Total Eclipse (1995)

-Carrington (1995)

-Wilde (1997)

-Les enfants du siècle (1999)

-Frida (2002)

其實還有好多，例如Nichole Kidman扮演的Diane Arbus、 Gwyneth Paltrow詮釋的Slvia Plath等... 沒錯，我也是個傳記狂!!

New Moon Rises

2009-04-27T19:05:00.055+08:00

Dakota Fanning

Cameron Bright

Jamie Bower(瘋狂理髮師中的Anthony)

距離New Moon上映還有大半年，但美國的影劇媒體已開始熱烈炒作所有相關的消息。第二集加入的新成員更是把好萊塢的年輕(平均年齡15到23歲)新星全都召齊了。從Dakota Fanning、Cameron Bright到Jamie Bower；貌美吸血"小"鬼仍是主打牌。 Twilight以3700萬美元成本拍攝，至今全球票房近3億8千萬!!! 看來這雪(血)球只會愈滾愈大。

此外，David Slade將執導第三集Eclipse(預計2010年上映)!! 他的作品除了《惡夜30》與《Hard Candy》之外，還曾幫Muse拍攝過多部MV。我們都知道Stephenie Meyer有多推崇Muse，這是愛屋及烏嗎?

直到New Moon上映前，這些Links可以讓你不那麼焦慮:)

-無所不在的Fanpire~~

-Stephenie Meyer的Playist(她為每一本書選出配樂)

- Robert Pattinson、Jackson Rathbone 、Jamie Bower 各自的音樂創作

Eroticism

2009-04-23T08:01:00.012+08:00

很早就注意到ACNE PAPER，卻從未仔細翻閱過。第九期的封面太誘人，以至於我連想都沒想就拎著走了。內容超乎預料的豐富，是我許久未見的"古典編輯"風格；大篇幅的文字撰述並不沉悶，反而為各主題增添了深度與完整性。 ACNE PAPER的觀點、視野，與一般販售複製的公式的時尚雜誌大異其趣。我以後應該不會再錯過它了!!

Velvet

2009-04-22T19:18:00.004+08:00

I'm not looking for love
But its hard to recess, I dont recall
Being there to stare

--The Big Pink--

The Trebovir

2009-04-22T18:08:00.008+08:00

在去倫敦之前就把旅館訂好了。只知道是The Trebovir是全新裝潢的19世紀樓房，前身還曾是House of Pleasure:) 當我們入住後，才發現真找對地方了。房型雖小，但設計的十分舒適溫馨，服務人員都很友善熱心。走到Underground只要五分鐘。推薦給去倫敦旅遊的朋友們，多個選擇嘍!

Iron & Wine

2009-04-19T22:48:00.009+08:00

Murder Ballads

2009-04-19T16:21:00.007+08:00

能把黑西裝與白襯衫穿的比男人還帥的只有兩人；Patti Smith & Polly Jean Harvey!!

My Skin Against Your Skin表演行程

2009-04-16T20:52:00.003+08:00

http://www.myspace.com/myskinagainstyourskin

富而好施

2009-04-16T20:08:00.025+08:00

Photo by 陳奕亘

春吶再次看到Full House的精彩演出，他們推出了首張同名專輯~~ http://www.myspace.com/fullhouserockabilly

巫

2009-04-15T20:45:00.027+08:00

G牌近來大動作的請名導拍攝一系列廣告。只可惜，David Lynch篇並沒有發揮他真正的特色與功力。倒是Chris Cunningham執導的Flora；Donna Summer's"I Feel Love" + Abbey Lee....I am utterly bewitched!!

看看短短20秒驚嘆背後，為了一小瓶香水所動用到的龐大陣仗，及其耗時燒錢的拍攝過程。

Lately I Feel

2009-04-12T22:59:00.006+08:00

All phtots via NASA~~absolutely breathtaking!!

Get Your Leather On

2009-04-12T15:13:00.011+08:00

果然，不到三天，SNL的影片就被拿下來了。只好轉戰Jools Holland嘍!!

Tigress

2009-04-11T18:00:00.013+08:00

When I'm drivin' in my car
And a man comes on the radio
He's tellin' me more and more
About some useless information
Supposed to fire my imagination
I can't get no, oh no no no
Hey hey hey, that's what I say

--Rolling Stones--

Simply Can't Wait

2009-04-10T16:26:00.025+08:00

Where the Wild Things Are

點皇冠看預告

Maurice Sendak雙子原著、Spike Jonze天秤導演、 Karen O射手配樂、加上Win Butler牧羊主唱。風風火火，誰不期待?

貼上合唱版：魔王迷宮的鮑伊與野獸國的主題曲，兜在一起多酷呵!

Art Alert

2009-04-09T12:00:00.017+08:00

Apparition by Klaus Obermaier

今早收到Craphone的信，鉅細靡遺的向我推薦近期一系列的表演。轉貼至此與有興趣的朋友們分享。卡卡風，謝謝你:)　

香堤【人‧偶】劇場
Taipei 2009/4/9-12

《直到世界的盡頭》是香堤2005年的最新作品，由菲利浦˙香堤和他長期以來的合作夥伴Mary Underwood所構思導演。故事描寫兩個人的邂逅，在夢境中發生極富有想像力的共鳴，幻化出一系列謎樣的人物—有時真實、有時是投射出的，藉此揭開了暗藏的情感及不為人知的過去。以如詩般的主題為基礎，結合精湛的默劇、舞蹈、形體藝術、木偶，由栩栩如生的戲偶及魔術師般的演員呈現如萬花筒般的夢境，使觀眾有如搭乘雲霄飛車，遨遊奇幻國度裡。本劇已在歐洲、澳洲、日本、港澳巡迴演出，獲得熱烈好評，2007年倫敦國際默劇節時被倫敦評論人譽為當年默劇節的重頭戲。

卡卡風註：記得第一次看得時候是高中，我可是卯足了力氣請爸媽把我從宿舍請假，然後去看他們的演出。他們的演出已經不只有偶戲，融合許多視覺、劇場元素。香提的操偶技術也是獨豎ㄧ格！（大師級作品，怎能錯過。）推薦程度：★★★★★

魅影再現
Taipei 2009/5/15-17

《魅影再現》結合多媒體互動科技與舞蹈表演藝術，呈現出前所未見的多媒體舞蹈劇場，挑戰實體表演藝術與虛擬多媒體互動影像極限，舞蹈家在台上與光影共舞，創造人類知覺與美學新境界，被譽為當代多媒體表演藝術重要代表作之一。

卡卡風註：相信很多人錯過了國際藝術節裡頭的春之祭，這個節目則是同個編舞者的2004年作品，技術成熟不說，其數位美學的高度表現，令人驚嘆！！！推薦程度：★★★★★

以上兩個節目為新象主辦。在此可看到片段喔。

新舞風2009[柬埔寨故事]
身體與繪畫交織成的舞踏風景
2009/05/15-16 (五-六) 20:00
2009/05/17 (日) 15:00
5/16晚場為錄影場次
演出後歡迎與藝術家自由座談
【新舞臺】新舞風2009(購票詳情)

曾獲「貝絲成就獎」、「麥克阿瑟藝術天才獎」等近十項國際大獎肯定的永子與高麗，作品向來以超越種族的細膩質感著稱。

《柬埔寨故事》是跨領域的集體創作，源自04年永子與高麗協同9位柬埔寨金邊市Reyum藝術學校學生的共創計畫。舞台上還原柬埔寨風景，身軀柔軟的少年與藝術家在沙土上凝神舞動，搭配現場作畫，展現對天地人的愛與關懷。

本作品06年巡迴美國10週，走過11個城市演出20多場，深獲迴響。新舞風元年就曾來台演出的永子與高麗，這次將呈現更深層的文化關懷還有蘊藏數十年的舞踏精華。

卡卡風註：大學時曾看過兩次他們（永子與高麗 Eiko&Koma）的演出，我認為他們比山海塾還更“風景”，是非基本教義舞踏派精彩的雙人組合，這次則融合了柬埔寨的當地學生。喜歡舞踏的人，別錯過了。推薦程度：★★★★★

新舞風2009[動覺試驗場]
歐洲爆紅的青年編舞家2009/5/22-23 (五-六) 20:00
2009/05/24 (日) 15:00
5/24午場為錄影場次
演出後歡迎與藝術家自由座談

麥奎格甫以《動覺試驗場》獲得2009歐洲Movimentos國際舞蹈大獎之「最佳編舞獎」。

以約翰屈伏塔為偶像的麥奎格學過迪斯可和國標舞，編舞之外還玩電影和歌劇，作品結合音樂、視覺和科技，以挑戰肢體動作與大膽跨越不同媒介而聞名。異類作風使他成為英國皇家芭蕾舞團唯一出身現代舞之駐團編舞家，而22歲成立的隨機現代舞團則是英國藝術重鎮沙德勒之井劇院首邀的常駐舞團。

最新創作《動覺試驗場》是麥奎格探索大腦與編舞關係三部曲之完結篇。舞功高強的舞者們在充滿演算式與幾何圖像的科技舞台上，以麥奎格慣用不合人體工學之肢體舞動，進行如光電交錯般的高動能身體實驗，令人喘息、咋舌。

英國泰晤士報評論《動覺試驗場》為『性感、狂野的鉅作』。

卡卡風註：如果都有參加過月會的人，應該不陌生，就是那個作品“Entity ”，看過影片再看現場，所有細節一覽無遺，千萬別錯過！！！現代芭蕾的新發展，多汁的舞者加上具有時代氣氛的肢體質地！！！推薦程度：★★★★★

新舞風2009[新佛朗明哥世代]
新舞臺驚豔首演
2009/06/5-6 (五-六) 20:00
2009/06/7 (日) 15:00
6/6晚場為錄影場次
演出後歡迎與藝術家自由座談

南下熱情巡演場
2009/06/8 (一)19:30屏東縣藝術館
2009/06/9(二) 19:30嘉義縣表演藝術中心

艾伊歐是林懷民在巴塞隆納發現的佛朗明哥神童，當年他才十歲。

八歲即以首席舞者之姿登上職業舞台的艾伊歐，今年才十三歲，年輕身軀裡住著古老佛朗明哥靈魂，純熟精鍊的表演技巧，充滿純真、奔放的能量，將佛朗明哥熱血賁張的本質表露無遺。

一整團閃亮名單隨艾伊歐首度跨洋訪台，帶來歌、舞、音樂並重的道地佛朗明哥藝術：三位得獎無數的重量級佛朗明哥歌唱家；甫獲西班牙全國佛朗明哥吉他新秀首獎的柯帝斯；技藝精湛的男女舞蹈家。是的，他們的表演就是FLAMENCO PURO「純正佛朗明哥」！

卡卡風註：可以查youtube上El Yiyo 就可看到一些片段，感覺蠻不錯的，不知如何推薦起，但新舞風所選都是現在世界首選！！嗯，還是不容錯過！

Must Knows

2009-04-01T23:25:00.027+08:00

Photo by 元同學

此文轉貼自My Skin Against Your Skin by Andrea

2009 Spring Scream 春天吶喊，我將會帶前樂團兔子很有錢Rabbit is Rich的限定版CD到春吶廣場(鵝巒鼻公園)販賣，每張NT$200，數量有限，只有在活動三天 4/3(五) 4/4(六) 4/5(日)買的到。

如果您有意想收藏，但無法親自到春吶廣場購買，歡迎您留言給我，或者寫信到yeahyeahgirl45@gmail.com信箱，我可以幫您保留。注意: 此專輯售完絕不再發行。

我的新樂團MSAYS表演時間為4/4(六) 舞台E ，約下午3點左右我也會在這裡擺攤。如果您在春吶廣場找不到我，您也可以在敦煌攤位買到此專輯。

Q：解散了為何還要發行此專輯？

A：未解散前這張專輯早已製作一半，我們只是完成成品，並讓喜歡兔子很有錢的人可以收藏。由於解散緣故，此專輯發行數量並不多，限定在春吶活動三天販賣，事後您也不可能買的到了，就如同兔子很有錢真的解散了。

感謝參與這張專輯製作的夥伴，所有兔子很有錢團員，還有前Bass手郭漢威、前鼓手蛋頭。感謝怪痛工作室的小宋幫我們錄製完成這張專輯，也感謝喜歡兔子很有錢的朋友們。

感謝最棒的藝術團隊~

服裝: Ann/Diamond Lotus設計師

化妝: Gavin

攝影: 元同學/專輯內頁、Gavin/專輯封面

Green With Envy

2009-03-31T22:33:00.014+08:00

我對誇大的精品包包廣告通常是一點感覺也沒有。可由我最愛的雙M組~Mert Alas ＆ Marcus Piggott所拍攝的影像，確牢印在腦中，揮之不去。如同他倆為Miu Miu07春夏所拍攝的廣告，飽滿濃郁的色調總讓影像中的人、物；光豔奪目、鮮嫩欲滴!!

It's Blitz、It's O

2009-03-30T23:49:00.014+08:00

Dig this, NOW!!!

Watch this, GO!!

Play Tough

2009-03-29T18:22:00.043+08:00

Kirsten McMenamy (V)

Natasa Vojnovic (Another)

從Kristen McMenamy到Natasa V。天吶~~90的模特兒都回來了!! 她們強烈的肢體動作充滿能量，加上演員般豐富的表情與歲月歷練。超越專業，幾乎是表演藝術了。無論多嬌貴的服裝；在她們身上，都成了魔力戰袍。看Natasa為SHOWstudio拍的短片，看她如何突破靜止影像的框框!

Mr. Wolf

2009-03-23T20:33:00.004+08:00

Battle

在倫敦第三天，等到換妥旅館，終於能上網時，發現在KOKO有Patrick Wolf的新歌發表會，如果衝去，應該正好趕上散場吧。 OMG~~~事前不多作功課的懲罰未免也太殘酷了!!

這支新MV讓我想起令一個也玩過綁吊遊戲的Reznor先生.....

又，與Tilda Swinton奇蹟似的合作，她説：

"My feeling is that we almost certainly come from the same planet: kith and kin. His music feels like the unexpressed soundtrack of a great film I want to see - and try to catch every night before I go to sleep. It's a lovely thing to be a part of that magical landscape."

還能有比這更好的讚美嗎?!

Bloodsucker

2009-03-23T00:21:00.013+08:00

Robert Pattinson for GQ

飛行十多個小時，剛好讓我把Twilight看三遍，身旁小四與Gavin不可置信的瞪著我瘋狂的行逕。

沒辦法，誰叫我無條件的喜歡任何吸血鬼題材的影片呢! 預料中的台詞、卡通似的特效、太多套相似的登山裝，都沒有讓我失去一看再看的興趣。俊美的男女主角(真要感謝攝影與化妝)、心機超重的配樂，絕對是該片成功的關鍵。如果說Interview with the Vampire是精雕細琢的Haute Couture; Twilight 就是親近群眾的Fast Fashion吧! 也難怪後者的市場效應如此驚人。

I Heart Lanvin

2009-03-21T10:22:00.014+08:00

我無法簡單的傳達，Lanvin秀所帶給我的感動。 But I’ll give it a try….

Albert Elbaz的Lanvin在我心中是殿堂頂端的神品。喜歡Lanvin的服裝可能是出自女性直覺；只要觸摸到絲緞質感、看到立體圓潤的剪裁，就讓我雙眼發光** Lanvin不走嘩眾取寵的誇張路線，也不賣弄高深莫測的設計理論。那些看不出縫合線的衣裳彷彿從天而降，從裡到外都細緻精美。

2009秋冬的秀場，是將廠房般的建築物，改造成40年代電影中的巴黎街頭。噴霧微濕的水泥地、金黃光暈投映的走道、玫瑰花堆砌的拱門；所有的細節都表明，這裡是Lanvin的世界。精心挑選過的現場工作人員，穿著帥氣挺拔的tuxedo(我懷疑他们全是職業男模)，和善禮貌的領路帶位。當我们緩慢的穿過人流時，擦身而過的接連是Anna Piaggi、Bianca Jagger、Carine Roitfeld、Carla Sozzani、Kristin Scott Thomas。這絕對是我今年Top 1.超現實體驗!!!

當音樂響起的那刻，我不允許自己再眨眼【註一】；稟息專注於眼前一切。像在擁抱身體般的斜裁外套、薄如蟬翼的絲質網紗洋裝、閃爍神秘光澤的羽毛髮飾與重金屬頸鍊，整體造型既優雅又叛逆。整場秀的催情劑就是當仙女们：Tanya D.、Heidi Mount、Vlada R.、Lily D.、Jamie B. 踩著釘步【註二】逐一現身。欣賞服裝在她们身上律動的美感，比照片、影片還強效百倍。Fashion Show不僅僅是服裝；妝髮設計、名模襯托、惡魔總編【註三】缺一不可。當Albert Elbaz跟著女孩们走出來達謝時，全場奮力鼓掌。謝謝小四，讓我終於親眼見到這位熱愛服裝，技藝超群的當代大師。

散場後恍如隔世。

Gavin混入成群的日本攝影師，開心的跟拍後台出來的Hanne Gaby與Raquel Z.。而我被整整45分鐘的震憾教育弄的熱血沸騰。近年來，我已忘了時裝秀的真正力量! 這場秀讓我再次看到了創意、金錢與歷史堆砌出的專業陣仗，也感受到，背後強大的產業支脈是如何不遺餘力的，保護延續著時尚之都的百年傳統。

雖然巴黎的一切是那麼美好，我還是忍不住煞風景的比對著：台灣的紙娃娃時裝週端出過什麼呢? 何時台灣的服裝品牌才能脫離短線操作的模式，組織自己的產業、寫自己的服裝史呢? 正視這些問題，或許才是突破的開始。

【註一】所以沒拍半張照片，請見Blog de Mode，或G's Flickr!!!

【註二】Models頃斜走台步的酷勁好似插釘....

【註三】果然是等Anna W.女士到場秀才開使呵!!

Rolling Gossip

2009-03-21T00:54:00.004+08:00

Terry Richardson for Rolling Stone

最近Terry Richardson接連拍了Anjelica Huston、Natasha V和Gossip Girls!!! 兩段拍攝記錄看起來都好玩極了!

嗑完了第二季的GG；老師學生的明爭暗鬥、女孩男孩間理不清的關係，這類沒營養的高校肥皂劇，讓我看到上癮!! 企圖把Age of Innocence、 Dangerous Liaisons 與 Marie Antoinette的情節攪豁一起，套到網路時代青少年的身上，編劇不是膽大就是瘋了。

至於引起討論傚仿的劇中造型，除了Chuck的Dandy Look較有新意之外，我個人還是覺得，SATC's Patricia Field，道行更勝一籌。

又，繼Cyndi Lauper後，Misshapes將現身客串GG!!

Paris

2009-03-20T16:52:00.001+08:00

Café La Perle

瑪黑區櫥窗一角

在La Perle喝咖啡發愣時，撇見窗戶玻璃上寫著："RUN FOR YOUR LIFE"

以往為了工作來巴黎看Première Vision，忙於看布、訂布與穿梭於各個廠商間，盡職的扮演辛勤員工的角色。這次特意放慢速度，想一步步去發掘新鮮事兒。

即使我曾造訪多次，卻是第一次遇上時裝週。所有的fashion people全匯集於此，不只是設計師们，還有models、buyers、editors、fashion bloggers and trend-setters。光是走在rue Saint-Honoré上，看著街拍常出現的熟面孔來來往往，立刻會被fashion week大拜拜似的熱絡氣氛所感染!

雜誌瘋

2009-03-20T15:18:00.002+08:00

明明是書店，卻還展示服裝人台，用心

看到滿坑滿谷的艾許先生，開心

貝絲小姐

Photo by Gavin

在台灣需至特定書店才能翻閱的刊物，在巴黎可說是隨手可得。街頭上的書報攤、書店陳列的全是嶄新的Numéro、Dazed & Confused等。拿杯咖啡、買個糖、再來本閃亮亮的Love；輕而易舉。想無視於這些強烈的視覺教育，可不是件容易的事。在這些玲瑯滿目的架上，時尚與生活是零距離的。

Sugar High

2009-03-19T23:03:00.001+08:00

每次到巴黎我都會突變成一隻螞蟻:)

嗜糖症發作的我在第一時間直奔Ladurée、Jean-Paul Hévin、和Christian Ferber；把懷念已久的macaroons、蜜栗子、釀酒葡萄果醬全數買齊。Heaven!!

Jamie Bochert

2009-03-19T21:08:00.003+08:00

W by Inez & Vinoodh

Vogue Italy by Steven Meisel

在巴黎翻開的每一本重量級雜誌；如Purple、Another Magazine、Love、W、i-D....都被Jamie Bochert完全攻佔了!! 2003年離開時尚圈，轉向發展音樂方面的才華。曾與Patti Smith同台，也常與男友Michael Pitt共同創作演出。去年為Marc Jacobs重返伸展台，看來這次時尚圈可不會輕易地放她走喽!

我覺得她似乎是Patti Smith與PJ Harvey的合體!! 在眾金髮仙女名模们當中，Jamie比許多男人還剛強的外型就更加獨特顯眼。而當我在Lanvin看到Jamie身穿唯一紅色秀服出場的那一刻起，就徹底被她的攝人氣勢給征服了....

【後記】

to gavin: 她真的不是變性人好嗎>_<

to marion: 妳說的沒錯，愈看愈像Kurt Cobain與Patti Smith的合照吶@@

My Skin Against Your Skin

2009-03-03T15:12:00.002+08:00

熱騰騰的餅乾出爐了, 我的任務是把它們"快遞"送到巴黎與倫敦!!!

以下是我幫MSAYS寫的簡介：

My Skin Against Your Skin are comprised of singer Andrea, bassist A-Lu, and drummer Bambi.

The band formed in 2007, formerly known as Rabbit Is Rich. They've tour extensively throughout Taiwan, earning a significant buzz and considerable praise for their allusive yet violently seductive take on post-punk. After making waves in Formoz Festival, Spring Scream, and Hohaiyan Rock Festival; their magnetic performances attracts music fans from US, Europe and China.

Andrea's songwriting style is strongly influenced by her passion in Literature. Her lyric contemplates on imaginative scenarios with sharp sense of truth. Exploring themes of identity, desire and conflict, with playfulness and a daring theatricality.

MSAYS's signature stage persona is Andrea's expressive voice that could be flirting with explosives, and preserving the delicacy of sentiment at the same time. Together they delivered those stark songs with bruisingly powerful, punkish abandon. One can't help but stares fiercely, listens intently to MSAYS. Their music slit through the surface, and liberates all pretentiousness, oppression, and conformity. Injecting juices of absolute intoxication deep into your veins....

樂團網址
http://www.myspace.com/myskinagainstyourskin
連絡方式
myskinagainstyourskin@gmail.com
Flickr
http://www.flickr.com/photos/myskinagainstyourskin/

Dear A

2009-03-02T14:17:00.003+08:00

Thank you, Andrea!! 接下來在歐洲的兩個多星期，我會努力把它塞爆的^^

Sneak Preview

2009-03-02T13:44:00.002+08:00

是的，這是我的新工作室!!! 整棟大樓將是我們的創意新天地，上圖只是冰山一角:)

共有五組人馬在此紮根，待整理完畢，導遊小姐我會再為各位仔細介紹! 看著窗外滿溢的陽光綠意，我對接下來一連串的新計劃，充滿著信心與動力!!

Deeeesire

2009-02-27T19:17:00.002+08:00

Kirsten
Inez Van Lamsweerde & Vinoodh Matadin

第一次看到這幅攝影作品是1997的事了。對我而言，這絕對是當代最美的情色藝術影像之一。

這幾季，滿街巨幅精品形象看版幾乎都是Inez&Vinoodh的傑作。他们最近替YSL拍攝的Manifesto S/S 2009短片，似乎喚醒了我的inner diva^^

The Oscars!!!

2009-02-23T09:07:00.001+08:00

King & Queen

Rodarte Twins

Ivory Statues

第81屆的Oscars可以說是我所看過最精彩的頒獎典禮之一。華麗的舞台設計、新穎的頒獎方式到提名花絮的編排，細節中盡是巧思。展現美國電影工業深厚的實力與包容度。讓我印象深刻的片段：

☆多位歷屆得獎者齊聚頒獎的群戰策略奏效。每位巨星誠摯的介紹台下提名者的作品；傳承演藝史的同時，也強化了電影人的情誼。特別是Penelope Cruz與Anjelica Huston，Kate Winslet與Marion Cotillard；惺惺相惜的榮耀了彼此。 Marion美麗的演說，講透我心中的Kate(飆淚呵..)

☆SJP頒發Custome Design獎項是再適合不過了。我喜歡復古的Hollywood Movie Studio造景。正因為對幕後專業的尊崇，才能讓這龐大的電影工業容納無數才華洋溢的創意工作者。比起得獎的The Duchess，我更欣賞Catherine Martin為妮可K女士設計的劇服。

☆Baz Luhrmann的Austurlia雖沒沾上太多金光，但他還是敬業的為典禮編排歌舞秀，當然，Beyonce獻聲為表演加分許多。

☆Penelope Cruz的Balmain 1950's古董禮服是博物館等級，美極了!!! 而Tilda Swinton竟能把柔美的Lanvin穿的如此帥氣(崇拜呵..)

☆SJP、Marion Cotillard、Freida Pinto都穿了Dior的高級訂製服。但我還是忍不住想戳一下這件貌似50's Dior Juno Dress(設計參考還是冒牌貓哩？)

☆Slumdog Millionaire是大贏家!!! 從Trainspotting走到現在，Danny Boyle仍然關注於街頭少年的社會處境，無論是在Mumbai、Thailand還是Edinburgh；在他的作品中總有不停狂奔的男孩，和天衣無縫的配樂選曲(now where is M.I.A.?)

☆Heath Ledger的父母與上台，希望以愉悅的心情來慶祝兒子的成就。我们和台下所有觀者一樣，眼眶濕潤....

☆我最愛的記錄片Man On Wire得獎! Philippe Petit飛奔上台，還奉上魔術和“頂小金人”絕招。又驗証了我的觀察；最能喜樂自在面對世事的人，通常都曾經歷過最艱辛的試煉。

☆Dustin Lance Black(Milk編劇)的激動致詞源自親身的經歷；如同Harvey Milk從個人的旅程出發，卻能改寫許多人的一生。Sean Penn則是呼喻同志的社會平等權益，把電影的精神帶到現場，言行合一，好樣的!

獨眼德倫

2009-02-06T00:42:00.001+08:00

Visconti & Delon

Scene From The Lepoard

Dolce & Gabbana向Visconti膜拜?

乍看Dolce & Gabbana的09春夏的男裝形象廣告讓我覺得非常眼熟。沒錯，是我喜愛的Alan Delon在The Lepoard (1963)中的造型。 Luchino Visconti的影片我幾乎都會觀賞兩次以上....為了那些美麗的劇服呵!!

Zoo Magazine No.21

2009-02-02T23:59:00.002+08:00

Zoo Magazine

最近我的google reader快要變成Ash新聞台。 Go see Mannequins!!!　

真相

2009-02-02T23:34:00.004+08:00

Slumdog Millionaire

Changeling

Milk

加上Doubt，如果有一條隱形底線讓四部電影相連，那就是捉弄命運的"真相"。

Slumdog Millionaire借由機智問答，逐漸解開的真相是：男孩坎坷經歷中的巧合，讓他得以正確的回答所有問題。而警官、主持人視男孩為罪犯、騙子，他们以刻板印象去否定任何讓貧民窟少年獲得成功的可能性。人常以過去的經歷來判定眼前一切，但真相偏偏就不被那過去式的腦子所理解。

Changeling中的母親打從心底知道男孩不是親生兒子。但警方、假兒子、精神科醫師卻合力編織一個謊言牢籠來壓制、孤立她。真相的價值在強權者的眼中不比面子、利益來得重要，就算是睜大眼睛，也能假裝什麼都看不到。

Milk則揭穿當時的美國政客、宗教體系，錯誤的引導大眾去排斥、否定同性戀者。千百年來，人對未知的、不同於己的恐懼心理總是揮之不去。而當這份焦慮轉為行動時，原始本能就是湮滅威脅到自身的真相。

Doubt發生在封閉的修道院裡，流言依附在斷章取義的誤解中，讓傷害有機可乘。真相似乎經不起刻意的扭曲。老修女的最後一句話終於宣洩出所有的不安與壓抑。但能否彌補自我信仰的破滅? 就看觀者可有惻隱之心了!

不同的時間背景，但讓故事糾結成型的癥結點卻是一樣的。或許反映出我们所處的黑暗時期。當弊案、醜聞、泡沫化的產業與經濟蕭條一波波襲來，正視真相似乎需要的不只是勇氣，還要有做出適當行動的能力與決心。有人選擇恐懼、毀謗、怨天尤人；也有人選擇面對、自省、成長。只希望，我们對於自己的選擇，都不後悔。

On & On

2009-01-31T01:42:00.001+08:00

是巧合嗎?　Rabbit Is Rich的作者John Updike，於本月27日辭世。兔子很有錢也走到了終點。　

看到妳選擇沉靜面對，不理會惡意的背叛與謊言攻擊；堅信自己的目標，眼也不眨的繼續朝著理想前進。　我佩服妳的成熟、妳的勇氣。

1/31 18:00~19:00 西門紅樓吵年獸

I’ll be watching you＾＾

xoxo

黃立行-巴別塔

2009-01-31T01:09:00.003+08:00

感謝造型師小四引薦，讓我有機會參與黃立行MV的拍攝工作。"巴別塔"的女主角天心，也穿了Diamond Lotus的服裝。當天在現場側拍了許多照片，待整理好後再與各位分享。

It's Time To Move On

2009-01-30T21:17:00.001+08:00

Artist: John Kirchner

趁工作室搬遷的空檔期，我回到台南，讓自己放了整整一個月的長假。

去年年尾一連串"奇特"的經歷，讓我對許多事物有了全新的觀點。在這些蹦蹦跳跳的新念頭找到各自的位置之前，我的責任是當塊超級海綿，吸收補充必要的養份讓它们跳個過癮。

等時候到了，釋放、釋放、釋放!!!

My Father Used to Say

2009-01-30T19:54:00.001+08:00

上： Claude & Louis Simonon

下：Paul Simonon(The Clash)

左：Nick Cave

右：Jethro Cave

梅蘭芳

2008-12-22T17:22:00.002+08:00

沒帶著太多期盼進戲院, 所以處處是驚喜。週日夜半, 我們全陷入了梅蘭芳的傳奇裡。

終極分析？

2008-12-20T19:22:00.000+08:00

友人轉寄以下文章給我，少有這樣的星座論點讓我頻頻點頭:

幾乎所有人都有這樣一種印象：天秤座的人是群居生物，必然是害怕獨處，喜歡熱鬧的。但，事實並非如此。

天秤是和平使者。在公眾場合可以很好地調節氣氛使之均衡。氣氛熱烈時，他們會沉靜的壓住陣腳；氣氛冷凝時，他們會運用不著痕跡的輕鬆幽默化解堅冰。他們像用天平稱量物品一樣，加減砝碼，使之維持水平狀態。而他們在做這種加減的時候，看起來漫不經心、不動聲色。事實上，他們是很有心計的，儘管眾口難調，也能找到一種萬全的方式使全局和諧起來。這並不代表他們喜歡主宰，只因他們看不得失衡，那會使他們如坐針氈。因此，儘管天秤座討厭麻煩，但他們還是會不由自主地擔負起調節的責任。

他們不吝惜金錢，卻吝惜自由和安靜的休閒時光。像所有風向星座一樣，他們喜歡自由，像風一樣誰也捉不住他。你得相信，你的天秤座朋友也許半年也沒有音信，但是只要一見面，你還是他最好的朋友。他們自身是均衡的，一個人的均衡總比一群人的均衡來的容易; 所以他們喜歡獨處。

通常，天秤座的人會給人一見如故的感覺。對初次見面的人，天秤座往往表現出自己最善解人意的一面：大方，誠懇，健談。但是這種熱情勁兒不會長久。不是他們不喜歡同伴，而是他們和人交往更多地關注了對方的情緒，總想著照顧對方心情，所以感覺像是在工作一樣，無法真正的放鬆。

天秤表面看似親和力強，內心卻是任誰也無法融入的。天秤的冷靜，連他們自己也覺得驚訝。他們審視自己的時候，也會覺得有點陌生。那是因為他們把內心世界掩飾得連自己都騙過了。他們控制情緒的能力太強了。最親近的人會感覺到，天秤常給人不露聲色的隔離感。可是他們不是故意要隱瞞什麼，只是出於本能，他們知道，誰也無法真正理解另一個人。

天秤是很獨立的一個星座。因為他們懂得：*孤獨的最高境界，是繁華。（*最後ㄧ句改成：繁華的盡頭是孤獨更貼切吧!）

FLY

2008-12-13T20:26:00.005+08:00

Director: Stephen Blaise
Actress/Model: Masha Yakovenko

繼SHOWstudio之後, 喜歡fashion film的人又多ㄧ新去處。 FLY16x9發佈的最新短片"My World"讓我強烈體會到, 時尚影片化的必然趨勢。影片這媒介讓設計師的觀點更能全面滲透; 從配樂、對白到演員的選擇, 短短幾分鐘, 卻比伸展台上的搔首弄姿更能撼動我。已有十多位設計師的短片可供觀賞。 Go!!!

Roaring Twenties

2008-12-10T15:49:00.002+08:00

Life雜誌The Flapper Issue

電影Henry & June（1990）/Kirsten Dunst近照

我對20年代的風尚情有獨鍾。

在默片與老照片中, 有著拉長媚眼與山形唇峰的flapper , 髮型卻短薄的像個男孩。她們總是穿著鑲滿了繡珠或流蘇的直腰洋裝, 或搭配圓軟帽與mary jane, 整晚在煙霧瀰漫的爵士酒吧跳舞作樂。那年代的女人們初次掙脫傳統（與馬甲）的約束; 嘗試獨立自主, 開車、創作、與不同的戀人跳舞。當然, 這短暫的自由享樂沒能久撐, Great Depression就讓歷史翻頁了。

20年代著名女星, 像是Louise Brooks或是Clara Bow的作品怕是難覓得。不妨溫習The Great Gatsby、Henry & June, 或是The Conformist; 無論是影片本身還是服裝造型都值得回味再三。

從18歲就開始收集的vintage flapper dress, 和art deco造型飾品封箱了許久, 是該拿出來晒晒太陽了。

I Met The Walrus

2008-12-10T12:11:00.003+08:00

In 1969, a 14-year-old Beatle fanatic named Jerry Levitan, armed with a reel-to-reel tape deck, snuck into John Lennon's hotel room in Toronto and convinced John to do an interview about peace. 38 years later, Jerry has produced a film about it.

提前收到的耶誕禮物

2008-12-09T15:55:00.003+08:00

Josh & Ash!!!
Dazed & Confused Dec'08

請移至此系列造型師 Nicola Formichetti's Blog～他是:
creative director DAZED & CONFUSED
fashion director VOGUE HOMMES JAPAN
senior fashion editor ANOTHER MAN
contributing fashion editor V and VMAN

第二槍/B. Anderson

2008-12-08T13:00:00.001+08:00

Brett Andreson

十年歲月如何改變ㄧ個人？

1996年我第ㄧ次在紐約看Suede。那時的他穿著緊身黑衣褲、雙眼煙薰、手持漆皮鈴鼓, 凜冽的眼神與妖嬈的歌聲輕易擄獲了我的崇拜。

2008年末, 舞台上只剩寂寞的鋼琴、大提琴與木吉他。 Brett Anderson 幾乎是以長篇告解的方式吟唱著生命滄桑。花草樹木、人情冷暖, 沒什麼是恆久遠的; 我默默的對自己說。然後, ㄧ首首Suede老歌丟了出來, 他沒讓懷舊的人失望。此起彼落的大合唱故然溫暖, 但我們都知道; 就算記憶再清晰, 都不可能回到過去了。

Maybe, maybe it's the clothes we wear,
The tasteless bracelets and the dye in our hair,
Maybe it's our kookiness,
Or maybe, maybe it's our nowhere towns,
Our nothing places and our cellophane sounds,
Maybe it's our looseness,

But we're trash, you and me,
We're the litter on the breeze,
We're the lovers on the streets,
Just trash, me and you,
It's in everything we do,
It's in everything we do...

第ㄧ槍/Jarvis!!!!!

2008-12-07T12:57:00.002+08:00

http://www.flickr.com/photos/diamondlotus/sets/72157610767999123/

先是大規模的攤販市集、商品展館讓我點不知所措。甚至不太確定, 人手ㄧ物的罐裝飲料、餐盒零食究竟有多樂活。要把"簡單生活"這個big concept像圍羊群般將大家兜在ㄧ起消費, 其過程似乎ㄧ點也不簡單。對我而言, 再怎麼理想美好的生活形態, 都禁不起這樣的刻意包裝。回想起那些稻田造景, 卡其色系產品, 總覺得毛骨悚然。

愈接近Jarvis Cocker上台的時刻, 我們愈是不由自主的亢奮起來。等待setting時, 光是舞台幕簾ㄧ小角被風吹起; 都能讓我和Andrea興奮不已!! 回頭ㄧ看, 阿儒似乎激動到要哭出來了（喂...還沒開始唱吶）。緊接著所發生的ㄧ切都太快了, 像夢ㄧ樣, 無法記清楚所有細節。雖然雙眼牢牢釘住他的舉手投足, 耳朵用力吸入每ㄧ顆音符, 我依然缺乏真實感。要命的是, 最後Jarvis與楊乃文合竟合唱起David Bowie的Space Oddity!!! 這招當下讓我飛上太空（而我剛好穿著Ziggy Stardust T恤, 詭異吧^^）

Oh and all the culture vultures
And all the snot-nosed kids
And all the so-called artists, wannabes and never-dids
You claim you're not involved
but you're in up to your neck
The night belongs to lovers
so show some respect

Oh and you cannot set the world to rights
But you could stop being wrong
Oh tonight
Oh tonight
Oh tonight
Oh tonight

Oh! tonight

Rabbit Is Rich 12/5＠The Wall

2008-12-07T11:00:00.001+08:00

Andrea/Rabbit Is Rich

我愈來愈珍惜, 看表演這件事。

無論台下的觀眾是熱情跳躍, 還是冷靜凝視, 舞台上的他們都是給出全部!! 定定不動的觀看實在是太可惜了, 因這等於是錯過了ㄧ半的體驗。 You have to let it go to enjoy the show!!

當晚為Andrea準備的厲害武器是Prada亮片黑裙。臨時起義把裙頭縫小, 加上寬版織帶, 改成洋裝給她穿。正如所料, 亮片的效果美炸了, 舞動起來像刺、又像是羽毛。只穿ㄧ次怎會過癮？等到跨年表演加上Gavin的勁妝重新搭配, 要狠狠的再玩ㄧ回!! This dress deserves it:)