Colleen Atwood 是Alice in Wonderland的劇服設計師, 她的作品包括Tim Burton 的 Edward Scissorhands 與Sleepy Hollow; 還得過兩座奧斯卡最佳劇服設計獎(Chicago和Memoirs of a Geisha)!!
Tim Burton在一段訪談中說到Johnny Depp創造Mad Hatter角色前, 花了許多心思在造型選擇上"He's the type of actor that a lot of the character comes from the look of the outfit," he said. "It helps him really create and get into who the character is." 完整訪談在此~~
從不看電視的Vivienne Westwood為何自己要求上Jahathan Ross的電視訪談呢? 原來是為了讓更多的人了解全球暖化的議題。 近年來看到Westwood從聲援人權運動、抨擊反恐法、發表反對Propaganda的宣言等等，高齡並沒有影響她的熱情與行動力。 在這最新的訪談之中，她呼籲人們減少無謂的消費。 從服裝到文化與生活，應要重新審思、建立新的價值觀。她說：
Buy less, and choose well. Don't buy things for the sake of it, 'cause everyone will just look alike.
Human race, is it going to survive? I mean, we should get passionate about that.
Understand the world you are living. But you need to go deep, if your don't have depth, you don't understand the world you are living.
當然，她看起來美極了!!
Pleased to meet you
Hope you guessed my name
But whats confusing you
Is just the nature of my game
Just as every cop is a criminal
And all the sinners saints
As heads is tails
Just call me Lucifer
'Cause I'm in need of some restraint
So if you meet me
Have some courtesy
Have some sympathy, and some taste
Use all your well-learned politesse
Or I'll lay your soul to waste
Debbi Harry & Taylor Momsen
To me, philosophical question, the existential questions, the religious questions were more interesting to me personally. I've been influenced specifically by him. Just as one writer influenced by another writer.
He explores these questions and dramatizes some the best thinkers on the subject and does it with enormous theatricality.
You don't come away depressed, you come away with exhilarated feelings, because you're in the presence of great art.
Part I
Because after all they were frighten as children.......It's all based on Red Riding Hood. Nothing has changed since Red Riding Hood. So what they're frighten of today are exactly the same thing they're frighten of yesterday.
The assembly of pieces of film to create fright, is the central part of my job. Just as much as a painter putting certain colors together to create evil on canvas.
I believe in putting the horror in the mind of the audience, and not necessarily on the screen.
Q: What is a good cry as opposed to bad cry.
A: I think it's the satisfaction of temporary pain.
What is reality? I don't think many people want reality. I think it must look real. But it never must be. Because reality is none of us can really stand at anytime.
昨夜兜了兩瓶紅酒去M家看戲；是早想看卻不斷錯過的La Belle Personne 和 Ma Mère。
Louis Garrel這6年來的作品挑戰了各式情慾類型的可能。 對象之多變從妹妹、母親、男孩、女演員到高中學生；似乎沒有任何表演禁忌，而他年僅26歲!! Louis Garrel常在訪談中表達出對電影學識和歷史超齡透澈的觀點，這和他出身自電影世家有著絕對的關係。
不難理解導演Christophe Honoré何以連續三部影片都以他為主角，可惜與他同戲的女演員很容易淡化為陪襯，因為鏡頭裡的光源點總是主動圍繞在Garrel身上。所幸新生代女星Léa Seydoux終於改變了這"不平等"表像；她把La Belle Personne中，Junie謎樣的隱藏與漠然，詮釋的極其自然，成功抗衡Nemours(Garrel)的風流倜儻。
五段影片由上至下為：La Belle Personne(2008)/Actrices(2007)/Les Chansons d'amour(2007)
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